Weren’t Macintosh, iPod and iPhone groundbreaking in terms of their form design? Those products defied prevailing design conventions of their category and were still hugely successful. No wonder then, followers of Apple were speculating Apple Watch to redefine the way watches look. For example, consider the following concept by Todd Hamilton, which I am sure you have seen more than once in Apple Watch related articles before Apple Watch was finally unveiled.

Apple Watch Concept, iWatch
And, look what Apple gave us! A product which even wristwatch magazines are praising – “…really pays great homage to traditional watchmaking and the environment in which horology was developed” [Hodinkee].

Apple Watch, Wearables

But wait a minute. Is Apple Watch just a timepiece? Hell no! In terms of functionality, it goes way way beyond time-keeping. It has introduced several new meanings to the wristwatch category. Timekeeping is the old one, but then there are at least four others.

apple watch

Why then did Apple devoutly stick to the traditional design of wristwatch, going so far as to even retain crown? Because they understood the fact that what we wear on our body is not just about functionality but is equally about ‘fashion’. Fashion, the phenomenon, exists because we want (need) to belong to social groups. Apple Watch is a product which Apple wants us to wear throughout the day even as we move through different social contexts. By making its wearable gadget (read Apple Watch) resemble wristwatches, Apple considerably lowered the threshold for the wearable’s mass adoption, thereby pulling a great trick!

On 6th March I conducted a workshop on ‘Understanding and Designing Business Models’ at The Coalition in New Delhi. In it, I explained Business Model Canvas, Lean Canvas and Value Web.

The audience belonged to fields as diverse as content creation, comedy, gaming, journalism, art and fashion, to name a few. To explain the concepts, I had to use examples which struck a chord with the audience. Below I discuss some of those along with the questions they were used to address:

*Can you pin point your target customer group? Are your customers clear about your unique value proposition? Are you leveraging your skills to create maximum value for your business?

Ustraa :  Ustraa is a men’s grooming product range with the tagline – “Not tested on animals, only on rascals.” The name, Ustraa, is a Hindi slang for a razor blade used for a clean shaved face. Put together the tagline and the name, and you will get a clear sense of who the product is targeting – confident ‘somewhat hip’ urban male. They have done a terrific job at striking a chord with their target group. Seemingly that’s all they are doing, because their product development and manufacturing of its products is outsourced! And there is nothing wrong with such an approach. In any business, one should have a very clear sense of what value one is bringing to the table, and how one can leverage that to maximize value creation.

ustraa-happily_unmarried-iammr-menstyle-grooming

Mónica Lou Mercadé’s Dance Photography : Mónica is known for doing one thing better than anyone else in Barcelona – capturing dance through her camera. Over the years, she has honed her skills and has built connections with those involved in dancing (and she gets invited to all the events). This gives her unfair advantage in a certain area of photography. Can you think of a way to build unfair advantage in your business?

12496426_10208182825589355_4449087358918741244_o

TaxiFabric : TaxiFabric is a platform which is allowing designers to showcase their talent by redoing the interior of Mumbai cabs (as of now). Cars are industrial products in the truest sense. There have been instances when while waiting at a traffic signal, I have seen same cars as mine on both sides. Everything about them is identical, except a few (hardly noticeable) accessorization here and there. But here’s one company which is trying to bring stories of a magnificent city inside its cabs. Perhaps tomorrow, the interiors of our cars will become a medium of self-expression for us.

*How are you nurturing your relationship with your customers? 

The Viral Fever : The The Viral Fever is an online digital entertainment channel which has become extremely popular in the last 2-3 years. They started on Youtube, but they now have their own website and mobile app called TVFPlay. The most interesting thing I find about their company is the way they connect with their audience. The speak directly to them, and often tell about what were the dynamics behind the camera and who all participated. In fact in a panel discussion at The Coalition, TVF founder Arunabh Kumar told that the promotional material of their upcoming works may feature the faces of the writer, director and other crew, and not the cast! It’s fascinating to see how over time TVF has evolved its relationship with its audience. When people think about TVF, they don’t just think of it as an online digital entertainment channel but they think of it as Arunabh Kumar, Amit Golani, Biswapati Sarkar, Nidhi Bisht, Anandeshwar Dwivedi, Vaibhav Bundhoo, Jitendra Kumar, et al doing some cool stuff. Would you like to bring that kind of transition in the way your customers look at what you are doing?

tvf-aib-knockout

Fine Art Gallery De Twee Pauwen : Fine Art Gallery De Twee Pauwen is located on a posh street in the Hague and sells pricey artwork sourced from artists from all over Europe. To make sales, should they just depend on people walking in their store? Lucas, one of the two owners, has an interesting way to draw customers. Once in every 1-2 months, he invites his customers to have brunch with one of the exhibiting artists. During the brunch people get to understand so much more about the art-pieces of that artist and they start to see those in a different light. Of course, purchases happen too! But more importantly, by doing such activities, Fine Art Gallery De Twee Pauwen, has gone beyond just being an art gallery, to become a place where people come to nurture their interest in art.

Dark Side of the Lens (video) : Everything around us is the outcome of someone’s imagination and hard-work. The sofa on which I am sitting right now must have taken a few hours of a few people’s work to make. But only now as I write this piece, I became aware of it. People’s perception of value comes from the meaning they assign to a product/service. ‘Dark Side of the Lens’ is a beautiful short video where an underwater cameraperson talks about what his work means for his life, and how it is to be behind the camera.

 

*What is the best possible channel/platform to sell your product to your target customers? Can you think of some new and inventive ways, such as cross-selling?

Pop-up street food markets in London : The pop-up street food markets in London are amazing. I at least go three rounds of the market before deciding what to eat! These group of vendors put up their stalls in clusters in different areas on different days. It creates a fair like atmosphere – more people, more buzz, and more overall business for everyone! Ironical it may seem – sometimes when competitors cooperate/collaborate, they can get interesting results.

Chirodeep Chaudhuri (photographer) + Sandeep Mohan (filmmaker) : Chirodeep is doing a photo story on life in Mumbai cafes. Sandeep is making a short film on life of a few individuals who work from cafes. Does it not make sense for them to cross-sell when their works are finished?

Something Sketchy : Something Sketchy sells products like notebooks and coaster-magnets on a few e-commerce websites. It’s a side business of Madhuvanthi Mohan, who loves to travel and make illustrations. Having a small but consistent income from Something Sketchy has given Madhuvanthi the confidence to explore her passions in new ways. For over a year now, she has been travelling across India and has been funding her travels by painting murals wherever she goes.

Tesco Homeplus in South Korea :  Tesco’s South Korean branch found out that a significant percentage of urban-living and hard-working South Koreans were finding the task of weekly grocery shopping to be a burden because they’re so busy at work, with family and in other activities. So they came up with the concept of bringing the store to the consumer! The company created virtual stores in subway stations in Seoul. Shoppers could walk up to the virtual store, choose the items they wanted to buy, and then scan the product QR code using their smart phone. Deliveries of the goods could be arranged to arrive within hours of the order!

Sandeep Mohan’s film ‘X’: In India, multiplexes like PVR cinemas off and on dedicate a few days to screen independent films. However, (silly) radicals often find something provoking in one of those films and the whole thing is made to shut. For his new film Sandeep didn’t want to go though the ordeal of first getting his movie selected for screening in a multiplex and then seeing everything abruptly coming to an end because of some intolerant folks. So he came up with the idea of taking his film to his audience! Once there is a demand for screening from a certain minimum number of people from a location, Sandeep travels there with equipments and screens the movie.

*Can you list down the underlying assumptions in your business idea? Can you think of ways to test those assumptions in the cheapest and fastest way?

Cardrops : Imagine there is a gadget which enables you to open your car trunk remotely so that you can get delivery from an e-commerce company. Great idea? But how do we decide how many people will in interested in buying something like that? How much will they be willing to pay? How frequently? How do we go about finding answers to those questions? This is what my friends at Cardrops did – without making any physical product they just made a website with description of the service and the pricing information. By promoting the website through different channels they started asking people, what price-service combination was interesting to them. Thus, by hardly spending anything they got valuable information from the field.

Cardrops

*What’s interesting in the things happening around you? Can you draw any inspiration from that and apply it to your current work? Try combining ideas from disparate domains to create new ones.

UrbanClap + Kickstarter : UrbanClap is platform for household services. Kickstarter is a crowd funding platform for projects. What if UrbanClap took inspiration from Kickstarter and allowed service providers on its platform to raise money from customers to take their service/business to the next level (for example, getting a better equipment), and in return provide discounts or some other benefits to those contributing money. Just like Kickstarter, the new version of UrbanClap can charge a small commission on the fund raised. We just created a new business model for UrbanClap by combining its business model with that of Kickstarter.

People who came to my workshop wanted to build business around what they liked doing. But interestingly, I found that most of them were too focussed on doing ‘the thing’ and had hardly ever given any thought to creating a business model around it. My advice to them was to start devoting 20-30% of their time to think about their business model and start operationalizing some of their ideas. It’s only by testing those ideas in the real world, they will be able to know which ones work and which don’t. Simple? Ain’t it?

To download the slide-deck that I used during my workshop: click here.

Do you have any interesting examples to share or any suggestion to make?

brand evolution problems

This month’s round-up of articles I’ve read focuses on brand evolution problems.  Companies usually need to evolve in order to remain relevant to changing customers and to continue to grow.  But many have difficulty figuring out how to do so or adapting their organizations.Brand Evolution Problems

Take Macy’s for example.  Hayley Peterson writes in a Business Insider piece about how the department store is trying to revive its sales by introducing a new retail format.  She reports, “In an effort to drive sales and traffic, Macy’s has launched an off-price brand called Backstage. The company is opening dozens of standalone Backstage stores as well as adding Backstage sections to its full-price department stores.”  While the move might address customers’ desires for lower prices, Neil Saunders, CEO of the retail consulting firm Conlumino explains why it’s problematic. “This serves to underline that Macy’s is both struggling to make its existing space productive, and that it still lacks the differentiation and brand strength to pull in customers on the back of its full price offer. In our view it is a move that will confuse both the proposition and customers.”

Om Malik explains why Apple is having a hard time evolving in Why Apple Music Is So Bad When the iPhone Is So Good.  “Apple may, in fact, clear up some of the mess and present a simpler solution, but its struggles in the delivery of music are merely a symptom of a deeper problem: how to provide Internet services… Apple has always been, and always will be, a hardware-first company… Apple is phenomenally successful, but like Microsoft, which stumbled when Google’s Internet-only, advertising-based businesses took off, it may find it difficult to adapt success to new terrain…Whatever Apple does, it is time for Cupertino to make some quick and bold moves.”  So, even though Apple has figured out how it needs to evolve, it may prove incapable of making the change.

Bloomberg BusinessWeek reports on Nestle‘s aspirations to “nutrition, health, and wellness company.”  Yes, the largest food company in the world known for chocolate milk and candy bars like Butterfinger and KitKat wants to “invent and sell medicine. The products Nestlé wants to create would be based on ingredients derived from food and delivered as an appealing snack, not a pill, drawing on the company’s expertise in the dark arts of engineering food for looks, taste, and texture. Some would require a prescription, some would be over-the-counter, and some are already on store shelves today.”  Nestle is to be commended for trying to address the obesity crisis, but it’s aspiration seems to have an inherent problem.   It’s “selling products on one side that might contribute to these illnesses,” says Leith Greenslade, head of the nongovernmental organization JustActions. “On the other side, they’re finding treatments for these illnesses. Some might call that a conflict of interest.”

These are just a few examples of brand evolution problems that demonstrate there are no easy answers to the question of how to evolve.  In my free business troubleshooting guide, UNSTUCK, though, I offer some thoughts on how to decide which new business opportunities to prioritize.   I hope you’ll find it helpful.

The post brand evolution problems appeared first on Denise Lee Yohn.

barrettSF launched a TV campaign for their client Humboldt Redwood to showcase the building material as a beautiful, all-purpose wood that is superior for both indoor and outdoor usage. The work launched wide on cable networks such as ESPN, CNN, HGTV and A&E on Monday, May 30, and directs viewers to the website, GetRedwood.com.

Aimed at consumers who are building or remodeling their homes, as well as architects, contractors and landscape designers, the 15- and 30-second ads pan across homes with redwood features and minimalist fixtures that detail the beauty of the wood. Each ad is narrated by Ross Brockley, whose wooden, comic delivery makes sense once the camera stops on his character: he’s a redwood plank “dummy” resting on the builder’s knee. Each of the eight executions tags with “Real. Strong. Redwood.”

“You know, our ancestors didn’t have TV—the wall was the TV,” the dummy observes in one spot as the camera slowly pans across a room paneled in rich redwood. “And this TV would have blown their minds.”

“We wanted to show the strength and beauty redwood can bring inside and outside of the home,” said Jessica Hewitt, Director of Marketing for Humboldt Redwood, “and to inspire more innovative uses beyond just decks and fences. For the creative execution, we were looking for something more interesting than a family having dinner on their deck. We knew barrettSF would deliver that, and they have. We love the campaign.”

The campaign aims to raise the perceived value of redwood by a) positioning it as a beautiful wood that offers all the benefits of comparable materials, and b) highlighting its uses as timbers, posts, beams and a finish-grade wood. The work is a follow-up, of sorts, to a campaign barrettSF did for the company two years ago. Brockley also narrated those ads, which showed the superiority of redwood over plastic decks.

“After the last Redwood campaign, the most frequent question was ‘who’s the voice?’” commented Jamie Barrett, barrettSF ECD. “In this campaign, we provide the answer. It turns out the voice was coming from a naturally strong and beautiful–though slightly bug-eyed–redwood plank.”

More and more homeowners, architects, contractors and landscape designers are reimagining their projects with redwood. A recent homeowner study found that redwood is identified as “in style” to a significantly greater degree than competing materials, including plastic composites, PVC, cedar, and tropical hardwoods. And choosing redwood is positive for the environment as well. Humboldt Redwood is 100% Forest Stewardship Council® (FSC®) certified; FSC has earned a reputation as the most rigorous, credible forest certification system in the world.

Creative Credits:
Advertising Agency: barrettSF, San Francisco, CA USA
ECD: Jamie Barrett
ECD: Pete Harvey
Copywriter: Peter Henningsen
Art Director: Byron Wages
Managing Director: Patrick Kelly
Account Supervisor: Michael Reardon
Executive Producer: Frank Brooks
Associate Producer: Charlotte Dugoni

Advertised Brand/Client: Humboldt Redwood
Director, Marketing: Jessica Hewitt
Marketing Associate: Jessica Chandler
Marketing Associate: Amber Lucas

Production Company: MJZ
President: David Zander
Director: Mike Maguire
Sr. Executive Producer: Eriks Krumins
Line Producer: Tracy Broaddus
DP: Barry Peterson
Production Designer: Michael Broaddus
Editorial: Arcade
Editor: Sean Lagrange
Assistant Editor: Brian Meagher
Music: Tone Farmer
Audio Mix: One Union Recording
Engineer: Eben





Creative Credits:
Campaign Name: Together, Without Boundaries.
Client: Alwaleed Philanthropies
Agency: Bold creative Boutique, Riyadh, Saudi Arabia
Executive Creative Director: Mohamad Baalbaki
Digital Creative Director: Ziad Abou Rjeily
Senior Art Director: Aljoharah Alrasheed
Digital Artist: Ed Fairburn
Designer: Tajammul Khan
Web Developer: Joyce Abou Rjeily
Production manager: Fahed Awkal
Senior Copywriter: Sara Nasr
Account Director: Abeer Alessa
Planning Director: Rashad Moglbay
Account Manager: Yazeed Al Hayef
Account executive: Christine Helal

Sitting here in my hotel room in Nashville I am happy to finally have some time to post this interview with Ruth Blatt. There are many of these yet to come! 4435 bw cropped

I first found out about Ruth when reading one of her articles in Forbes. She
writes about popular music using research on management and entrepreneurship. She shows a different side of musicians and music industry professionals by writing about them as navigators of their own careers, as leaders of small businesses, and as part of self-managed creative teams.

Since becoming a father I have thought many times about all the great things music can do to help a person develop their communication skills, relationship skills, leadership skills, how it helps to build confidence and it’s many other positive results. I would love and encourage for my children to experiment with music so as to experience the benefits that it has to offer. Most of all to have fun and be creative. Ruth’s articles include these same thoughts and present them as business insights to companies, entrepreneurs and the general public. I wanted to ask her some questions of my own so as to gather more insights this time geared towards musicians.

Ruth has a Ph.D. in Management and Organizations from the University of Michigan and taught Entrepreneurship to MBAs at the University of Illinois in Chicago. She has written for TheAtlantic.com, Psychology Today and Wired.com.She currently writing a book about the history and production of rock concerts. If you want to learn more about her you can visit: www.therockbandproject.com

This episode was edited by Andy Warren of www.applesandchocolate.com

 

Aaron Bethune.

Music Specialist. Creative Collaborator. Author. Musicpreneur.

Take a lisen to the interview here.

In this 30-min interview, part of the “Be Your Own Boss” Summit with Lisa Rooney and a panel of dozens of experts and entrepreneurs from all over the world, you’ll learn how to make the journey to succeed in business much easier right from the start. Click on the image below…

By Alice Korngold, Co-Editor, Giving Thoughts, and author of A Better World, Inc.: How Companies Profit by Solving Global Problems…Where Governments Cannot and Alex Parkinson, Senior Researcher and Associate Director, Corporate Leadership, The Conference Board In his essay on pressing issues facing U.S. foundation leaders and boards, Phil Buchanan, president of the Center for Effective […]

As Dr Gary Smith, lead author of a new study published in Pediatrics, explains: “Children at this age will explore their environment by putting things in their mouth. and if they simply bite down on one of these things, they’ll burst and the contents will shoot to the back of their mouths.”

Rather than risk a worst case scenario of respiratory or cardiac arrest, pulmonary edema, coma or even death as a result of being exposed to the contents of these packets, Smith says emphatically: “There is no reason why children should be rushed to hospitals in a coma or and with swelling down their lungs and we have to intubate them. There is no reason that children should have to die when we have effective safer alternatives for detergent.”

If a child becomes nausious, is vomiting, coughing or begins to choke, these could be signs of poisoning. Keep this number for the Poison Help Line handy: 800.222.1222

CBS News, 4/25/16

The post Laundry detergent packets pose increasing risk to children appeared first on The Good For You Network.

The Brain Science Behind Memorable Content And Brands

Memory’s main purpose is not to help us keep track of the past, but to help us navigate the future. This is a critical understanding for business, because decisions happen in the future…and influencing them is how you drive profits and build brands.

From this angle, marketers can use a prospective memory model when creating content, whether it be a presentation, blog, marketing campaign, training program, finance document, or IT specs. Unlike retrospective memory, which means recollecting the past, prospective memory triggers us to remember to act on a future intention.

The concept of prospective memory is gaining momentum because scientists are observing that 60–80% of the memory problems we have are not about forgetting the past—they are about forgetting the future.

Think about this in terms of your own situation. What memory problems did you experience last week? They were probably things you intended to do and forgot to do, such as picking up the dry cleaning or sending a file to your client or brand consultant. Personally, I always intend to bring a reusable bag to the supermarket, yet constantly find myself bag-less at the checkout counter.

Imagine this for a moment. You create content at Point A, hoping your audience remembers and acts on it at Point B. The skilled, modern communicator knows how to communicate information at Point A so that it sticks and motivates behavior at Point B.

Take for instance this recent IBM campaign, which advertises the concept of smart cities. The premise is that if cities were smarter, people would not have to drag their suitcases or bikes up the stairs—there would be ramps; people would not play with their phones or have lunch on the sidewalk—there would be places to sit; people would not have to stand in the rain—there would be shelter.

The ads invited people to share their own ideas for smart cities. This example showcases Point B communication. IBM could have easily set up a campaign with nice text and visuals, inviting people to share ideas for smart cities via a website or Twitter. This would have been just Point A communication. Instead, they imagined what might happen at Point B. They asked: What would people be able to see or do at Point B? When we ask that question, it is easier and—as you can see from the example below—more fun and useful to create communication at Point B.

IBM Smarter Cities Brand Campaign

When creating content, always ask: What will people see at Point B if your message were put into action?

Cues are one way in which we can communicate at Point A so that we influence long-term memory and convince others to act on intentions at Point B. Cues are important because they are signals for action. In the IBM campaign, with repeated messages, bikes, suitcases, shoes or rain can become cues to trigger the memory of what you saw and remind you that if you have an idea, you can share it. The mistake that too many marketers /communicators make is not thinking of environmental or internal cues that may trigger a memory and intent at Point B.

To understand the importance of cues, consider a situation in which people are asked two rapid-fire questions and to blurt out an answer to a final statement. It goes like this:

1. What continent is Kenya in?
2. What are the two opposing colors in the game of chess?
3. Name any animal.

In studies like these, roughly 20% of people answer zebra to the last sentence and about 50% respond with an animal from Africa.

If you remove the first two questions and ask anyone you know to simply name any animal, less than 1% will volunteer a zebra. By directing people’s attention to specific stimuli (Africa, black and white), it is possible to influence what they will say or do next. This is because our memories are stored in an associative way: related concepts are linked and the reminder of one spreads through a network of related concepts, making recall of a particular one more likely. This is a subconscious and automatic process called priming.

Ironically, while waiting for a client earlier today at their offices, I noticed the book below on the coffee table. The cover reinforces the connections we may already have in our minds.

Building Memories Of Your Brand

Memory works on the basis of associations: one thing can trigger another. What cues exist in your customers’ world that can trigger memories of your brand?

Contributed to Branding Strategy Insider by: Carmen Simon, PhD, co-founder of Rexi Media and the author of Impossible to Ignore: Creating Memorable Content to Influence Decisions

The Blake Project Can Help: The Brand Storytelling Workshop

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