TEDWomen curator and host Pat Mitchell, onstage at a previous TEDWomen, This year's event lineup features 40+ women and men from many fields -- all speaking to the theme: It's About Time. Photo: Marla Aufmuth/TED

Curator and host Pat Mitchell introduces a session of TEDWomen. This year’s speaker lineup features 40+ women and men from many fields, all speaking to the theme: It’s About Time. Photo: Marla Aufmuth/TED

Many people ask, “How are speakers selected for TEDWomen? The answer is that speakers, like ideas, come from many different sources. TED has an open recommendation process on TED.com, and we review those as well as suggestions that come in from everywhere. Sometimes people self nominate but mostly, fans of TEDTalks submit names of women and men whose ideas, work and stories they have discovered and that they feel would make strong TEDTalks.

This year our initial list was more than 150 names and each one a potential TEDTalk, making our final choices very challenging. In part, we review the speakers for the relevance of their ideas to the conference theme which this year is “It’s about time.”   We also take into account the important fact that TEDWomen is a global conference with multiple TEDxWomen conferences convening simultaneously on every continent, taking a live stream of TEDWomen, so global perspective and a diversity of backgrounds are significant factors in our selections, too.

As the editorial director and curator, I work with the amazing TED team of curators and my awesome colleague, Betsy Scolnik, to make selections of speakers, and we’re thrilled to present this year’s speaker program: 40* extraordinary speakers, women and men, in six sessions.

Browse the entire 2016 lineup »

Partial list of TEDWomen 2016 speakers. Click to see the entire lineup.

I believe this year’s program further affirms that TEDWomen is not a conference about women so much as it is a conference where women and their ideas — on everything from race to nuclear weapons to philanthropy and time management — are the reason that nearly 1,000 women and men will gather in San Francisco in October.

This is not a conference about well-known people, though you may recognize a few names and faces. It is a conference whose speakers are working hard to make the presentation of their stories and ideas memorable and important for you to hear. The TEDWomen team and I can’t wait to share them with you.

Warm regards,

Pat Mitchell, Betsy Scolnik and the TED Team

*And we have a few surprises that we are not announcing today … so watch for other names to come!


The theater is sold out, but we have decided to offer discounted registrations that include all conference activities except for guaranteed seats in the theater. These registrations provide comfortable viewing in our Simulcast Lounge, where everyone gathers during breaks between sessions. Find out more at the TEDWomen website.

Supported by its worldwide agency Les Gaulois, Citroën is launching a new brand campaign entitled “Citroën Inspired By You”. Citroën has always been interested in the relationship people have with cars. This attachment to people is inscribed in Citroën’s DNA and has never wavered throughout its history. Today the brand is putting into images the experience people have with their cars, inspired by the findings of the survey carried out in Europe with CSA Research and published on 28 September, “Our lives inside our cars”

The campaign consists of a main film and several short films, each one depicting the responses provided by Citroën cars, technologies and services to continually enhance the in-car experience. The main film (long, 50- second format) says we spend 4 years and 1 month of our lives in a car, so you might as well enjoy that time in a Citroën. The brand’s cars enable people to take best advantage of that in-car time, for example, through user-friendly design and travelling well-being. The series of shorter films provide a practical illustration of how the Brand’s innovative technologies and pioneering services are making motoring an increasingly seamless experience.

The campaign, with which drivers and passengers alike will identify, is launched simultaneously in Belgium, France, Italy, Portugal and Spain, to be followed by a second wave from January 2017 in other European countries as well as China and Latin America. The main 50-second film will be broadcast on TV and social media from this evening through Sunday with the objective of strong impact, particularly in prime time. Starting on Monday 17 October, all of the content produced for the campaign will be supported on Facebook and YouTube for two weeks. In parallel, the citroeninspiredbyyou.com website will present the entire campaign with all the technology and service-related solutions that Citroën brings to its customers.

The campaign also kicks off a change in some of the Brand’s codes with a new flat-design 2D logo, lending the double chevron extra modernity and visibility, and a new warm and rythmic sound signature, reflecting the Brand’s values of boldness and closeness.

CREATIVE CREDITS:
LES GAULOIS AGENCY
Brand Film:
Chief Creative Officer: Xavier Beauregard
Creative Directors: Mickael Jeanne – Alexandre Drouillard

Short Films:
Chief Creative Officer: Xavier Beauregard
Creative Directors: Hadi Hassan-Helou
Art Director: Jordan Molina – Aurélien Bigot – Emma Rousseau
Copywriter: Ludovic Miege – Julie Moreno
Head of TV: Christopher Thiery
TV Producer: Sarah Bouadjera
Music Supervisor: Lionel Dray

PRODUCTION: HRCLS (Hercules)
Sound and Business Affairs: HRCLS
Supervisor SFX: Yann Dubois

PRODUCTION: BANDITS
Realisator: Brian Aldrich
Productor: Leslie Dupuis-Mendel
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At the age of 64, Diana Nyad became the first person to make the 110-mile swim from Havana to Key West without a shark cage. The swim took her 52 hours and 54 minutes to complete, a lifetime goal she had begun dreaming of in the late 1970s. She made her first attempt in 1978 at the age of 28. Then after decades of not swimming, she decided to try again in her 60s. After three unsuccessful attempts, she made it in 2013.

She talked about her epic swim at TEDWomen 2013. So far, more than 3.3 million people have watched her talk, titled “Never, Ever Give Up.”

Now, Diana is working on a new goal. Along with her Cuba swim expedition leader, Bonnie Stoll, Diana has founded EverWalk Nation, a bold movement to get people to pledge to walk three times a week. Research shows that Westerners’ sedentary lifestyle can be as damaging to our health as smoking, so Diana and Bonnie want to get us moving!

“We intend to amass over the next calendar year a million people pledging to walk three times a week.  We are going to spark a tsunami of walking in this country, turning America into a rabid nation of walkers,” she writes in a recent email.

And as you might expect from someone like Diana, the launch of the initiative is no small affair. This Sunday, on the third anniversary of Diana’s historic Cuba swim, she will lead a gang of walkers on a 145-mile walk down the California coast from Los Angeles to San Diego. EverWalk will sponsor more long walks around the country over the next several years, including from Boston to New York City and from Chicago to St. Louis. Participants can sign on for different distances depending on their abilities.

Registration is closed for this weekend’s walk, but if you’re in LA, cheer the group on at their kick-off event from 7 to 8:30 AM at the Santa Monica Civic Auditorium on Oct. 23.

Get Involved: To take the pledge, join the community and to find out about future walks, visit EverWalk.com and be a leader in the biggest walking initiative in American history.

We’ll be checking in on Diana and Bonnie’s progress with a live update from their LA-to–San Diego walk at this year’s TEDWomen, held next week, Oct. 26–28, in San Francisco.

World’s best finger tutting performer P-Nut challenges new finger dance with newly launched BAND-AID Plus Comfort. Can Plus Comfort follow his fingers movement beyond human?!

世界最高峰の指技パフォーマー、P-nutsが、
新登場、付け心地ゼロのBAND-AID 快適プラスを巻いて、
新たなフィンガーダンスに挑戦!
果たして、快適プラスは彼の人間を超越した動きについていけるのか?

THE CREDITS:
Ad Agency: BBDO JAPAN, Tokyo
Executive Creative Director: Masaki Honda
Creative Director: Takenori Hashimoto
Creative Planner: Tatsuya Kawajiri
Art Director: Asuka Kondo
Producers: Kano Ishikawa, Shinji Kushiro
Production Manager: Misato Kumagai
Director: Eiji Tanigawa
Director of Photography/Cinematographer: Senzo Ueno
Gaffer: Masachio Nishida
Production Designer: AKI/CARNIVAL
Record Producer: Setsu Fukushima

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Nairobi, Kenya is one of the undisputed hubs of creativity on the African continent — and TED Fellows are at the center of the action. They’re building global technology companies like Ushahidi and BRCK, making genre-busting music that draws on wide-ranging cultural influences and working with marginalized communities in Kenya to make sure their voices are heard.

Meet Kenyan musician, DJ and TED Fellow “Blinky” Bill Sellanga in the latest installment of the Fellows in the Field video series. Explore Nairobi with Bill as he works on his new solo album in his studio, wanders the bustling streets in search of inspiration and DJs at The Alchemist, one of his favorite spots in the city.

“If you’re looking at Africa, you take a look at Nairobi,” Sellanga says. “We’re just discovering ourselves and figuring out how to express ourselves in a way that makes sense to us.”

Interested in becoming a TED Fellow yourself? The search is on for our next class. Learn more about becoming a TEDGlobal 2017 Fellow in Arusha, Tanzania. We encourage all talented innovators in their fields — science, art, technology, entrepreneurship, film and beyond — to apply to become a TED Fellow, especially those working across the African continent.

Apply now to become a TEDGlobal 2017 Fellow.

Brand Crisis Favors The Strong

Brand Crisis Favors The Strong

In his article “Will Customers Forgive Your Brand?” Mark Di Somma outlined ten situations where brands may need to ask forgiveness, from scandal to arrogance to corruption.

Sadly, these instances seem to happen with increasing frequency. Or is it that, thanks to social media and 24-hour news coverage, we’re simply more aware? Regardless, brands like people can be flawed in some way. Those flaws may be insufficient marketing, gross misjudgment of the marketplace, sloppy quality controls, or downright cheating.

How the brand-in-crisis handles itself will certainly have a bearing on the outcome. But don’t miss the greater benefit of an otherwise strong, well-regarded or well-known brand: brand resiliency – the ability to bounce back.

Wells Fargo is undergoing a scandal that’s unprecedented in U.S. banking history. Its corporate culture insisted that its branches be referred to as “stores” and that its employees must find “solutions” for their customers (regardless of their need) or risk termination. This bare-knuckles, hard sell atmosphere fostered the creation of bogus accounts to boost sales numbers for tellers and managers. According to Kevin Pham a former employee, they targeted the vulnerable; Mexican immigrants who speak little English. Older adults with memory problems. College students opening their first bank accounts. Small-business owners with several lines of credit.

As a result, over 5,000 of them were fired for it, not to mention the resignation of the CEO after a thrashing in front of a congressional committee. Humiliating? Disgusting? Embarrassing? Yes, but not terminal (as of today, anyway). The Wells Fargo brand has shown a surprising resiliency, even in an industry that asks us to trust them with our money. How can that be? I would argue that Wells Fargo has invested heavily in positive brand equity—even considered a “Great” company by Jim Collins in his book “Good to Great.” That investment has put resiliency in the bank.

The Trump brand could be compared to the classic Timex watch campaign pitched by the late, great John Cameron Swayze: “It takes a licking and keeps on ticking.” Indeed, during his run for the White House, even his most ardent supporters would concede his “lickings” have been largely self-inflicted — the latest disaster being the release of a “hot mic” recording of his comments about women. And at this writing, the outcome is as yet undecided; but the “let Trump be Trump” strategy has kept the Trump brand true to itself, if nothing else. Resilient? Undoubtedly. Why? Trump is a well-known brand with fame and star-quality created by TV. In today’s culture, that’s about all it takes.

If we thought the Exxon Valdez disaster in 1989 wasn’t bad enough, BP suffered the Deep Water Horizon spill in 2010 that killed 11 and fouled the Gulf of Mexico with the unrelenting discharge of an estimated 4.9 million barrels of crude. During the crisis, the British BP CEO attempted to downplay the situation and infamously lamented that he “wanted his life back” to the outrage of American consumers. Eventually, the spill was plugged, the clean up began, and the CEO was gone. And is BP still around? Yes. Even as a blockbuster feature film about the incident is in release – just in case anyone may have forgotten what a horrendous disaster it was.

Each of these examples (and there are many, many others) illustrates the resiliency of brands. Even “personal brands” such as Trump, Michael Phelps, or Tiger Woods are actually larger than the persons who bear the name. How is that possible? Because brands are formed in the minds of the consumer and become “owned” by them. And as long as the brand crisis is not too egregious, (ValuJet, Enron, Arthur Andersen) the brand can be resilient and survive. In most cases, the brand may never return to its former luster, but it will live to go to market another day, as in the case of Martha Stewart.

In the case of corporate brands, Wells Fargo would do well to learn from BP. While both brands have demonstrated resilience, only BP (at this point) has demonstrated an amount of corporate redemption by actively taking responsibility for the culture that nearly destroyed it, working to clean up the environment and changing its policies. And BP has wielded public relations and advertising with great effect to communicate its redemptive behavior and rehabilitate the brand. Wells Fargo must do the same if it is to be more than just a brand survivor.

In the early hours of the Volkswagen scandal Dorie Clark recommended three actions the brand needed to take to address its crisis:

1. Admit the severity of the problem
2. Show that it will never happen again
3. Move quickly and transparently

Her advice is timeless and will help the next brand in trouble.

As we observed earlier, the crisis situations for brands are happening with seemingly greater frequency. Brands that face the need to “ask forgiveness” are more resilient than brands or non-brands that are poorly marketed to start with. Resilience gives strong brands the opportunity to regroup and repair to survive another day.

The Blake Project Can Help: The Brand Positioning Workshop

Join us in Hollywood, California for Brand Leadership in the Age of Disruption, our 5th annual competitive-learning event designed around brand strategy.

Branding Strategy Insider is a service of The Blake Project: A strategic brand consultancy specializing in Brand Research, Brand Strategy, Brand Licensing and Brand Education

FREE Publications And Resources For Marketers

Visuals Editor

Title:  Visuals Editor
Department: Global Press Journal
Status: Full-time
Location:  San Francisco, CA
Compensation: DOE + Benefits package (health, vision, dental, 401k)
Start date: January 2, 2017

Please submit resume and cover letter to [email protected] by November 15th.

Why You Want This Job:

Because we’re changing the face of international journalism!

Global Press has a 10-year track record of producing exceptional journalism from the least-covered parts of the globe. Global Press aims to revolutionize the business of international journalism by creating multiple ethical, sustainable revenue streams, revitalizing core editorial processes to ensure accuracy and accountability and repairing the lack of gender and racial diversity that have plagued newsrooms since inception. Global Press is an employee-centered workplace that prioritizes employee wellness in a diverse, challenging, creative, humor-filled environment.

We are looking for an experienced, energetic, Visuals Editor who will work with Global Press journalists across the globe to create world-class journalism every day. The Visuals Editor works with a talented and dynamic group of global journalists everyday who submit hundreds of visuals each week. The Visuals Editor will lead the growing Visual Team at Global Press.

On a Typical Day at Global Press You Will:

  • Receive and organize dozens of photos and videos from reporters around the world
  • Effectively manage and meet multiple deadlines
  • Work with editors, reporters and visual content providers to ensure that visuals are of the necessary quantity and caliber to serve diverse content needs across digital and social channels
  • Read all Global Press stories to ensure visuals reflect the story angle
  • Select, edit, and tone visuals and to work effectively with story text, using keen judgement to ensure visuals enhance the audience’s experience
  • Collaborate with the Engagement Team to ensure visuals elevate stories, social postings and blogs to achieve maximum audience engagement
  • Manage our team members’ equipment inventory, questions, needs and maintenance requests
  • Work with editors and reporters to shoot supplementary visuals for behind-the-scenes and promotional materials
  • Manage all captions and text accompanying slideshows and stand-alone images and ensure that all captions are fully copy-edited by relevant staff and in place for publication
  • Coordinate with Global Press Institute training staff to identify training needs and opportunities for reporters
  • Be familiar with all upcoming stories/projects to give feedback and create necessary visuals assignments to maximize quality and news value
  • Work with syndication partners to identify visual content needs
  • Be familiar with Lightroom, Photo Mechanic, Premiere, iMovie, Word and other software used to create content
  • Work with IT team to research and identify best Digital Asset Management systems and workflows
  • Communicate with global team members clearly and effectively
  • Be inspired by the bravery and ingenuity of Global Press reporters
  • Work hard, laugh hard and make a significant contribution to global journalism
  • Be insanely curious and a life-long learner

Core Attributes:

Global Press is a diverse and thriving international media organization that seeks out team members who:

  • Are equally committed to journalistic tradition and journalistic innovation
  • Employ discipline, generosity and humor in their daily work
  • Believe in the power of high-quality information and human stories to change our world
  • Thrive in a collaborative environment where team members can be honest with one another and aim to be better today than they were yesterday

Qualifications:

The successful candidate will have a Bachelor’s degree in a related field and a minimum of 3 years of visual editing experience. Candidates should have prior international and management experience. Foreign language skills are a plus. Exceptional written and oral communication skills are a must.

About Global Press

Global Press exists to create a more just and informed world by employing local journalists to produce ethical, accurate news coverage from the world’s least-covered places.

Rejecting the mainstream model of foreign correspondence, which deploys elite outsiders on short-term assignments, Global Press trains and employs a diverse population of journalists in the developing media markets where they live to produce context-rich, nuanced news coverage that provides local and global audiences with high-quality, professional news that elevates awareness and creates actionable opportunities for citizens.

Comprised of three brands that form a holistic social enterprise, Global Press is an international media company dedicated to reinventing both the craft and business of global journalism. Global Press operates a training program, Global Press Institute, an award-winning news publication, Global Press Journal, and an innovative syndication division, Global Press News Service.

Global Press aims to produce news from more than 100 countries, becoming the world’s leading news source from the developing world.

 

The post Visuals Editor appeared first on Global Press Institute.

John Wikstrom expresses his love for the Pokémon franchise by directing this heartwarming spec spot, “Evolutions- Sun and Moon” in honor of Pokémon’s 20th anniversary. In it we see a boy as he evolves into a young man much like our beloved Pokemon.

We asked Wikstrom what his motivation was for creating the commercial: “Twenty years is a long time. I wanted to make something that spoke directly to the people who grew up with Pokémon, like myself. It’s both a love letter and passing salute to the franchise. I wanted to make something that not only felt true to Pokémon, but felt true to my experience of it.”

The ad, is spec work so Nintendo had nothing to do with it which is too bad because it’s the best we’ve seen for the franchise. Head on over to Wikstrom’s YouTube page to read all the wonderful comments to the ad, their absolutely loving it.

CREDITS:
Featuring Shamori Washington & Phillip Andre Botello
Directed by John Wikstrom
Cinematography by Idan Menin
Produced by Ian Coyne
1st AC – Melissa Sporn
Gaffer – Jacob Abrams
Grip – Aaron Pagniano, Tristan Moffat
Set Decorator – Kris Pistole
Music by Michael Ursu
Re-Recording Mixer – Nicole Pettigrew
Colorist – Dillon Novak
VFX Artist – Parker McCabe
Edited by John Wikstrom
Special Thanks: Michelle & Zac Pullam, Game Empire, Clairmont Camera

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As we approach the end of 2016 (yes, time flies!), I thought it would be fun and interesting to do a survey on the Great Brand of the Year.  I want to hear which brand you think deserves the top honor.  And if you vote, you’ll get entered to win an autographed copy of my book What Great Brands Do (scroll down for details.)  Of course this won’t be a scientific poll, but given that most of my readers are business leaders or thought leaders or both, I think we’ll get a good read on which brand deserves to be called the Great Brand of the Year.great-brand-of-the-year

In addition to your own subjective assessment of a brand’s leadership, innovation, and stewardship, you might consider the criteria that I used when qualifying the brands I profiled in my books, What Great Brands Do: The Seven Brand-Building Principles That Separate the Best from the Rest, and Extraordinary Experiences:  What Great Retail and Restaurant Brands Do.  That is:

  • Profitability — Great brands enjoy above-average profit margins within their categories or at least the ability to charge a price premium for their offering.
  • Strong relevance and differentiation —  Great brands are esteemed by customers for being compellingly resonant and meaningfully different.
  • High brand valuation — Great brands are valued more highly by financial analysts — reports like Interbrand’s Best Global Brands and Millward Brown’s Brand Z measure this dimension.
  • Fast rate of growth — Great brands don’t necessarily have to be big, but they usually have strong upward momentum.
  • Workplace culture — Great brands are loved by the people who work on them — they’re usually on Fortune magazine’s 100 Best Companies To Work For, Glassdoor’s Best Places to Work, and/or Great Place to Work lists.

Also some brands have done some pretty remarkable things this year including introducing breakthrough products, running memorable campaigns, and making bold corporate moves, so you’ll want to factor that into your vote too.

To start the voting off, I’ve provided a list of the 10 brands that I suspect may be at the top of most people’s lists but don’t limit yourself to these options — feel free to write in any brand that deserves to named Great Brand of the Year.  Please vote for one brand only and please only vote once.  Be sure to enter your email address if you want to be entered to win a copy of What Great Brands Do.  (Winner will be randomly selected from all voters.)  Voting closes on October 31, 2016.

If you don’t see the survey here, please go to:  http://freeonlinesurveys.com/s/R3gaI4De

Thanks!  And look for the results here the first week in November.

The post vote for the great brand of the year appeared first on Denise Lee Yohn.

Paul Pogba has always done things his own way since day one, a born Creator. From his childhood in France, to his return to Manchester United, he has made his own rules. Refusing to be anyone but himself and always bringing creativity and imagination to the game. Football needs creators. And Paul Pogba is the proof.

CREATIVE CREDITS:
Advertising Agency: 72andSunny, Los Angeles, USA
Chief Creative Officer: Glenn Cole
Executive Creative Director: Jason Norcross
Group Creative Director: Frank Hahn
Creative Director: Josh Fell, Chris Hutchinson
Senior Designer: Gerardo Ortiz
Writer: Ray Smiling
Chief Production Officer: Tom Dunlap
Group Production Director: Nicole Haase
Executive Film Producer: Jim Haight
Film Producer: Eric Rasco
Production Coordinator: Erika Ruiz
Group Brand Director: James Stephens
Brand Director: Audrey Huber
Brand Manager: Scott Swindler
Brand Coordinator: Jack Young
Group Strategy Director: Matt Johnson
Senior Strategist: Marc Pardy
Junior Strategist: Bogart Avila

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