Ten years earlier, Arthur “Tom” Thomas was in dire need of a heart transplant. He received the heart of Michael Stepien, Jeni’s father, who tragically had been murdered.

While the two families had corresponded over the years, it wasn’t until the night before Jeni’s big day that they finally met. Jeni’s sister, Michelle, described the emotional meeting this way: “Just hugging him made me feel like I was close to my dad again, which on this day was perfect. It was what I needed.”

Imagine what it was like for Jeni, when Thomas took her hand and placed it on his wrist so she could hear the beating of her dad’s heart: “It’s just like having my dad here and just better because we get to share the story with other people and you know that other people see that organ donors do matter.”

Sunny Skyz, 8/7/16

The post Man Who Received Bride’s Father’s Heart Walks Her Down The Aisle On Her Wedding Day appeared first on The Good For You Network.

60 percent of B-to-B marketers attribute a revenue growth of 10 percent or more to account-based marketing. With this much effectiveness, it’s time to run down the account-based marketing checklist and launch your own ABM strategy.

The ANA recently released its Media Planning & Buying Services Agreement to help marketers, among other things, to address the non-transparent business practices described in the ANA K2 Report. In this webinar, Keri Bruce, from Reed Smith LLP, ANA’s General Counsel, helped advertisers wrap their heads around the new contract template and provided key tips on how to best assess and incorporate transparency into their agency agreements. This webinar provided important insights that legal counsel, procurement professionals, CFO’s and other key stakeholders responsible for agency contracts need in order to best protect the interests of marketers and their shareholders.



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Creative Credits:
Agency: W+K Portland
Group Creative Director: Craig Allen
Creative Directors: Brandon Mugar / Tim Roan
Copywriter: Jonathan Marshall
Art Director: Helen Rhodes
Integrated Executive Producer: Erika Madison
Senior Producer: Erin Goodsell
Account Team: Phil Williams / Drew Widell
Executive Creative Directors: Mark Fitzloff/Susan Hoffman
Production Company: Biscuit Filmworks
Director: Noam Murro
Managing Director: Shawn Lacy
Executive Producer: Rick Jarjoura
Producer: Kathy Rhodes
Heads of Production: Mercedes Allen Sarria / Rachel Glaub
Director of Photography: Simon Duggan
Production Designer: Bruce McCloskey
Editorial Company: Arcade
Editor: Geoff Hounsell
Managing Partner: Damian Stevens
Executive Producer: Crissy DeSimone
Head of Production: Kirsten Thon-Webb
Senior Producer: Adam Becht
Assistant Editors: Dean Miyahira / Andy Trecki
VFX Company: The Mill
Executive Producer: Enca Kaul
VFX Producer: Anastasia von Rahl
Creative Directors/Set Supervisors: Robert Sethi / Chris Knight
2D Lead: Chris Knight
3D Lead: Gawain Liddiard
2D Artists: Tim Bird, Ed Black, Krysten Richardson, Joy Tiernan, Don Kim, Yukiko Ishiwata
3D Artists: Blake Sullivan, Jason Monroe, Ed Laag, Itai Muller, Jason Kim, Dave Vander Pol
Production Coordinator: Alana Giordano
Grade: Company 3
Colorist: Siggy Ferstl
Executive Producer: Ashley McKim
Producer: Matt Moran
Music: Mutato Muzika
Composer: Mark Mothersbaugh
Engineer: Bradley Denniston
Producer: Natalie P. Montgomery
Mix: Company Lime
Engineer / Sound Designer: Rohan Young
Executive Producer: Susie Boyajan


In JR's latest work, a Sudanese high jumper curves around a building in Rio's Flamengo district. Photo: Courtesy of JR

Sudanese high jumper Mohamed Younes Idriss had to miss the Olympics this year because of an injury. But he towers over Rio de Janeiro, his back curving atop a high-rise building, in JR’s latest large-scale work. Photo: Courtesy of JR

A Sudanese high jumper towers over Rio de Janeiro, arching over a 25-story building in the Flamengo district. A triathlete plows through the waters of Botafogo Bay, mid-stroke, her wingspan as wide as a city bus, while a giant diver shows us the soles of his feet as he leaps from the stone jetty in Barra da Tijuca. Meanwhile, a truck disguised as a camera is circling the city, and a fat silver moon is taking shape atop a favela cultural center. It looks like JR is back in town.

Artist JR, winner of the 2011 TED Prize, created these three massive athletes — he calls them the “giants” — for the Rio Olympics, along with a city-wide Inside Out photo campaign that will shoot street portraits throughout the Games.

JR is known for his large-scale black-and-white wall pastings, but the “giants” represent a new technique for him — they’re suspended in the air on scaffolding, in vastly ambitious site-specific works that took almost a year to plan.

To create the gargantuan image of French triathlete Léonie Périault powering her way through Rio’s Botafogo Bay, JR wrote on Instagram, his team fought like an athlete with the navy so that this piece could be in the water. Photo: Courtesy of JR

To create the gargantuan image of French triathlete Léonie Périault powering her way through Rio’s Botafogo Bay, JR wrote on Instagram, his team “fought like an athlete … so that this piece could be in the water.” Note the tiny figures in the boat in foreground for scale. Photo: Courtesy of JR

JR feels strong ties to Rio; his classic work “Women Are Heroes” speckled the city’s hillside favelas with photographs of women’s eyes. Watching the Olympic Games here is especially meaningful to him, he wrote on Instagram before the Opening Ceremony: “Eighty years ago the Olympics happened in Berlin. Hitler wanted to use them to demonstrate the supremacy of the Aryan race. Today they will open in Rio de Janeiro, Brazil, a ‘mixed race’ country. Even though Brazil is going through political and economic turmoil and the necessity of the Games at this moment can spark controversy, the Olympic spirit will joyfully be welcomed.”

JR has also brought his TED Prize wish to the games. The Inside Out photobooth truck is parked at Praça Maua through 14 August, and will then spend a week inside the Olympic Village, right up until the August 21 close of the Games. Passersby line up to have their portrait taken, and then paste it on the ground, creating a patchwork of images representing people from all parts of the world.

Seeming to leap from the quebra mar (jetty) in Barra da Tijuca, here's the back view of diver Cleuson Lima do Rosario, a Brazilian athlete who now lives and works in France. Photo: Courtesy of JR

Seeming to leap from the quebra mar (jetty) in Barra da Tijuca, here’s the back view of diver Cleuson Lima do Rosario, a Brazilian athlete who now lives and works in France. Photo: Courtesy of JR

JR brings Inside Out to Olympic Boulevard. Photo: Courtesy of JR

JR brought the traveling Inside Out photobooth truck to Olympic Boulevard, pasting the faces of global passersby on the street for all to see. Next week it moves to the athletes’ home base in Olympic Village. Photo: Courtesy of JR

JR stands atop an unusual art space, soon to open in Rio. Photo: Courtesy of JR

JR’s team is also busy building a silver structure shaped like a fat crescent moon over Casa Amarela, a favela cultural center the artist helped open nine years ago. He hopes that artists will hold workshops in this unusual space. Photo: Courtesy of JR



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Remember when Cindy Crawford, the biggest supermodel in the 90s, starred in that steamy Pepsi ad? Now watch the version that Pepsi don’t want you to see. SumofUs wants you to tell PepsiCo to adopt a responsible palm oil policy, and save our rainforests in it’s latest psa ad.
Pepsi buys over 470,000 metric tons of palm oil per year to make products that we buy like Doritos, Cheetos, Quaker Granola Bars, and Lay’s potato chips.

The reality of what happens on oil palm plantations is very different to Pepsi’s fun, sexy advertising campaigns.

Pepsi’s conflict palm oil is driving rainforest destruction and the extinction of already endangered animals like orangutans, tigers, and elephants. Workers in the palm oil industry are paid unethically low wages, and many don’t have adequate health and safety protection.

With the launch of Crystal Pepsi today, now’s a good time to spread the word about Pepsi’s practices, by watching and sharing the video with your friends.

Creative Credits:
Organization: Sum of Us (sumofus.org/Pepsi)
Sum of Us is a world-wide movement focused on creating a better global economy. We want governments to answer to people, not corporations. Our focus is on ethical consumerism, from the sourcing of products to the rights of workers to fair treatment. We’re building a world that puts the needs of people and the environment above short-sighted greed for the good of all of us and our world.


There are 2 kinds of sales: the easy ones and the ones you don’t get. I know the kind I want! But selling doesn’t come easy for most entrepreneurs. The word “sales” has a negative connotation, but in reality, a business ran with integrity delivers value and changes lives by selling….



(adsbygoogle = window.adsbygoogle || []).push({}); Creative Credits:
Advertising Agency: FCB, Chicago, USA
Chief Creative Officer: Todd Tilford
Associate Creative Directors: Jasmin Whitmore, Marianna Ruiz
Executive Producer: Jenny Hoffman
Producer: Mary Ann Holecek
Account Leads: Kelly Graves, Brooke Ward
Director Strategic Planning: Tom Hehir
Copywriter: Tim Mason
Production Company: Partizan Films
Director: Jared Eberhardt
Head of Production: Molly Griffin
Managing Director / Executive Producer: Lisa Tauscher
Line Producer: Kali Niemann
Director of Photography: Sebastian Pfaffenbichler
Finish: Lord and Thomas
Senior Editor: Steve Immer


By Alex Parkinson, Senior Researcher, Corporate Philanthropy, The Conference Board, and Emily Peck, Vice President for Private Sector Initiatives, Americans for the Arts The 2016 National Survey of Business Support for the Arts, is now open for submissions. The survey is open to companies of all sizes who participate in corporate philanthropy, employee engagement, volunteer […]

The NFL is throwing it’s support behind TEAM USA in Summer Olympics that started today. The NFL message is one of all coming together as one team to support TEAM USA and the NFL show this from their “homes” – the NFL stadiums. The spot opens with the slate “America has 32 Favorite NFL Teams” as groundskeepers from across the League are shown getting ready for the season, painting stencils in the end zones. It’s revealed that they have all painted “TEAM USA.” The moment is underscored by an original rendition of the Star-Spangled Banner recorded by award-winning indie pop star, St. Vincent, to set a reverent tone. The end slate says simply “This summer, we are all one team” followed by the NFL’s “Football is Family” tagline.

Creative Credits:
Agency: Grey New York
Director: Rob Gehring
Director: Bob Angelo
Director: Shannon Furman
Director: Brian Rosenfeld
Director: Samantha Kordelski
Chief Creative Officer: Andreas Dahlqvist
Executive Creative Director: Leo Savage
Executive Creative Director: Jeff Stamp
Group Creative Director: Joe Mongognia
Creative Director/ writer: Evan Benedetto
Creative Director/ art director: Mike Cicale
Producer: Bruce McDonald
Executive Producer: Alison Horn
Account Director: Alan Perlman
Senior Account Executive: Lucy Hallowell
Line Producer: Liz Leafey
Production Coordinator: Jeff Stupak
Camera: Andre Labous, Kevin Simkins, Dave Sharples, Steve Skinner
Executive Production: Townhouse



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