Dan Jaffe, group executive vice president of government relations at ANA, provided an overview of the political environment since Donald Trump’s election and what advertisers need to watch as the new President and Congress formulate their agenda.
Dan Jaffe, group executive vice president of government relations at ANA, provided an overview of the political environment since Donald Trump’s election and what advertisers need to watch as the new President and Congress formulate their agenda.
In 2017, are you looking to grow significantly? Expand your scope? Hit a new milestone? If you’re a small- or mid-sized business that’s planning to grow into a larger enterprise — or maybe you run a later-stage start-up that’s headed toward a Series C or even an IPO — you need a solid strategic brand platform. To help you, I’ve developed a new workbook, Scale-Up Your Brand: How To Set Up Your Brand for Success in 5 Steps. This new workbook is a step-by-step guide to help you develop a strong, valuable, sustainable brand strategy. In it, I lay out the five steps plus a bonus brand assessment tool. Available in digital ($6.99 each) and print ($9.99) form, you can get your copy of this new Scale-Up Your Brand workbook here.
You may recall last year, I ran a series of posts on this very topic — it was one of the most popular series I’ve published. Now, I’ve compiled all that content and improved on and synthesized it into 36 pages packed with exercises, instructions, and helpful tips, plus room for note-taking and documenting your progress and decisions. In addition to the workbook, I’m also introducing a workshop in which I will take you and your team through the workbook exercises and other valuable content in a experience custom-tailored to your specific needs. Learn more about this one-day, hands-on, fast-paced workshop here and special introductory pricing here.
I’ve spending so much time and energy on helping companies that want to scale because I’ve seen too many organizations fail to cross the chasm between their humble beginnings and their grand aspirations. While many different dynamics cause such a high failure rate, one of the most critical is the lack of a clear, robust, vital brand strategy. When you don’t have a strong strategic brand platform, you end up with problems of scaling companies like these:
Maybe you see yourself in one — or all — of these scenarios?! Please understand that my intention is not to shame or scare you into developing a strategic brand platform. On the contrary, my goal is to help you do it.
Thankfully, brand strategy isn’t as complicated as brain surgery. I’ve found almost every business leader is capable of developing a strong brand strategy, but a little experience and perspective does help. So I’ve taken all the learnings I’ve gleaned from working on brands for the past 25+ years and packaged them into this workbook and workshop. I’ve actually learned a lot more — and am still learning — so I hope to add to and improve these resources going forward. But for now, I hope you will find them helpful.
Please let me know about your experiences working through the workbook and any questions you might have about scaling.
related:
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Each year at this time we gorge ourselves on the dazzling tech developments coming from CES. And heading into SXSW season this March, we should expect to see more about connected technology, conversation platforms, virtual and augmented reality, connected devices, and how marketers can leverage all of it. But, set against the melodic line of innovation is an equally interesting counterpoint in the form of techno-resistance.
While such resistance is not new, these sentiments are becoming more mainstream in a more discerning, more mature, and less polarized way. Mobile-phone free zones, tech-less travel, and mindful living have been buzzing in the background as emerging trends for a few years. But, the general mood of more people seems to be making the modern techno-resistance question not one about “whether to tech, or not to tech.” It’s all about balance.
A few brands are taking aim at our technology-obsessed society in clever ways.
Nike’s new “Time is Precious” campaign takes aim at smart phone and social media users, reminding them of how much time they spent glued to their screens (when they could be outside running). The videos use a Siri-like voice to tell us how much time we’re wasting “watching other people’s picture of their cafe macchiato, or their dog, or their baby,” while single words flash up on a black screen.
All topics are fair game — hashtags, cat videos, photographing food, reality shows, Tinder, and online petitions – which come off as refreshingly human and authentic. And while it is likely many Nike customers use technology to track their fitness, technology is not the target, obsession with technology is. The message shows the brand understands people.
We’re hearing a lot about virtual reality and augmented reality. Despite the technology continuing to advance in leaps and bounds, Jaguar New Zealand showed that technology still can’t replicate the acceleration, speed and thrill of experiencing an F-TYPE.
In a clever ambient ad called “Actual Reality” Jaguar invites passengers to step into what looks like an F-Type mounted on 6 hydraulic arms. Passengers put on a head set and strap in, while unbeknownst to them, a Jaguar Precision Driver takes the driver’s seat and then takes the car on an actual racing track hidden behind the platform. The passenger is wearing the headset the whole time and thinks the experience is totally virtual. At the end of the journey, the surprise on passengers’ faces is priceless. Jaguar shows us that while there’s a lot of hype about what VR can do, there’s still a lot of value in experiencing real reality.
Finally, in the news last week, Medium’s founder and CEO Evan Williams laid off one-third of the staff and closed two offices. Williams (who co-founded Twitter) created Medium as a new model for media on the Internet. But when they began rolling out native ads and sponsored content in October, they realized they were off-mission. Williams said, “Upon further reflection, it’s clear that the broken system is ad-driven media on the internet. It simply doesn’t serve people. ….so, we are shifting our resources and attention to defining a new model for writers and creators to be rewarded, based on the value they’re creating for people. And toward building a transformational product for curious humans who want to get smarter about the world every day.”
It’s likely they took a page from Facebook’s playbook where there’s been more and more a decline in original sharing which no-doubt correlates with the increase of professional and promoted content. It’s changed the nature of the platform from conversation, to content aggregators. Users still visit Facebook daily, but are moving their conversation to other apps and platforms.
It remains to be seen how Medium will fund itself, which is itself a separate discussion on developing a platform without understanding how it can be business-viable. But what Williams observes is key: Ad-driven media does not serve people.
For brands capitalizing on techno-resistance, consider the following:
Don’t let the future leave you behind. Join us in Hollywood, California for Brand Leadership in the Age of Disruption, our 5th annual competitive-learning event designed around brand strategy.
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By Jen McClure JEM Consulting & Advisory Services is conducting a survey to measure organizations’ awareness of and maturity regarding digital and social media risk management. The study, which is supported by the Society for New Communications Research of The Conference Board (SNCR), will explore trends and best practices for digital risk management, measurement, training […]
The third quarter 2016 Nielsen Total Audience Report revealed the technology habits of stay-at-home versus working mothers.
A close examination of the winning entries from 2016 ANA Genius Awards reveals that The Clorox Company, Hilton Worldwide, Turner Broadcasting, and Syngenta have a lot in common — what you might call the habits of highly effective marketing analytics experts. Here are five that stand out.
As more and more consumers (particularly Millennials) choose to support brands whose values align with their own, companies are realizing the importance of “Cause Marketing.” While it was once sufficient for a brand to cut a check to a charity for publicity, now they must form a partnership with organizations that have some relevant connection to the business, and create robust programs that actually affect positive change in their communities. The ANA curated the top Cause Marketing campaigns of 2016 to identify trends and best practices in this insight brief.
The British Army will launch a new national recruitment campaign developed in partnership with Karmarama and Capita. ‘This is Belonging’ centres on inspiring more people to belong to one of the most respected organisations in the world, and think about a job that will make a positive difference.
Building on the success of last year’s personal growth-focused ‘Become a Better You’ campaign, this year’s recruitment drive focuses on authentic human experiences, and highlights the unique bonds developed in Army life that help you face tough challenges and grow.
The majority (81%) of UK adults believe it’s important to actively contribute towards a worthwhile cause. This latest insight-led campaign for the Army calls on young people who want to be part of something bigger to act on these ambitions, and consider a career in the forces.
The TV ads and online content shine a light on authentic moments of real belonging in the army, sometimes extremely challenging, sometimes more relaxed. The data-driven social and display activity delivers personalised messages tailored to the aspect of belonging that will most appeal to individual audiences. Inspired by interviews with new recruits, the radio shines a light on the supportive nature of belonging to the army, sharing stories of getting over shyness to being given a morale boost to get through difficult physical training. The activity also spans outdoor, online display, a mobile-first website (http://www.army.mod.uk/belong) and nationwide experiential, bringing together all customer experience touchpoints to deliver Connected Creativity for The Army.
Major General Tim Hyams, the General Officer Commanding the Army’s Recruiting and Training Division said, “Life in the British Army develops unique and lasting bonds of friendship. This sense of belonging is central to the opportunity we offer to those who wish to pursue a career in an organisation that makes a positive contribution to society.”
Nik Studzinski, Chief Creative Officer at Karmarama said: “With another tough brief to cut through common misconceptions and broaden The Army’s appeal to a wider audience, we needed to create an authentic yet still surprising message for The Army. We decided to highlight real and authentic army contexts and moments that clearly show the importance of being part of a strong and selfless family that accepts you for you, and gives you the chance to work together for a meaningful purpose.”
CREDITS:
Project Name: ‘This is Belonging’
Creative Agency: Karmarama
Creative team: James Rooke & Imogen Tazzyman
Creative Director: Adam Kean
Planner (Creative Agency): Matthew Waksman
Agency Producer: Rebecca Hunter/ Charlotte Lipsius
Media Planning: MediaCom
Production Company credits:
Production Company: Smuggler
Director: Henry-Alex Rubin
Producer: Molly Pope
Production Manager: Adam Evans/ Fiona Martin
Director of Photography: Kenneth Seng
Production Designer: Lisa Tsouloupa
1st AD: Tony Fernandes
Offline Editor: Spencer Ferszt @ Marshall Street Editors
VFX Post House: MPC
VFX Supervisor: Dan Sanders
VFX Artist: Dan Sanders
VFX Producer: James Niklasson
Colourist: Matthieu Toullet
Sound Design: Sam Ashwell @ 750
Music Company: Theodore
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As corporate governance goes, the uncertainty of 2017 will be its own separate risk for boards and management of companies, big and small, public and private. I say that because of three things: the incoming Trump administration, the lack of a quorum on the SEC and the widespread use of cyber-terrorism. Consider the following as […]
One of the most loved characters in advertising history is back in the spotlight. The Jolly Green Giant returns after a long hiatus to introduce Green Giant’s new product innovations, including Veggie Tots, Riced Veggies, Mashed Cauliflower and Roasted Vegetables, and to show America how to swap more vegetables into a family diet and eat healthier.
It’s the first time the Jolly Green Giant has been revealed since Deutsch New York won the business, with work that makes the character as culturally relevant to Americans now as he was in his glory days.
Directed by Ulf Johansson, the two 30-second comedy spots—“Snow Angel” and “What Did He Learn”—feature the Jolly Green Giant playing a more active role than in years past. Work launches the week of January 2 on programming on Bravo, Cooking Channel, E!, Lifetime, HGTV, VH1, Nick at Nite, and the Food Network, among others.
Says Dan Kelleher, CCO, Deutsch New York, “I grew up with the Jolly Green Giant and having the opportunity to reintroduce such an iconic advertising figure has been a thrill. It’s the Giant we all know and love, but now in more modern, fun scenarios.”
CREATIVE CREDITS:
Ad Agency: Deutsch, New York
CCO – Dan Kelleher
ECD – Menno Kluin
CD – James Cowie
CD – Rich Kolopeaua
EVP, Director of Integrated Production – Joe Calabrese
VP, Executive Producer – Andrea Curtin
Senior Project Manager – Michelle Ziff
EVP, Group Account Director – Jayme Maultasch
VP, Account Director – Erin Metcalf
Account Executive – Ramona Luo
Client, Client Contact: B&G Foods / Green Giant
VP, General Manager – Jordan Greenberg
Marketing Director – Steve Finnie
Associate Brand Manager – Diana Ark
Production Company:
Smith & Jones Films
Director: Ulf Johansson
Producer: Philippa Smith
Editorial:
Cosmo Street
Editor: Tom Scherma
Producer: Anne Lai
Telecine:
Company3 NY
Colorist: Tim Masick
Producer: Rochelle Brown
Visual Effects Company:
MPC
Lead artist: Rob Walker
Producer: Dorian Douglass
Music/Licensed Music Tracks:
JSM – music track
Head Engineer: Norm Felker
Duotone – jingle composition
Audio Post Company:
Sonic Union
Sound mixer: Steve Rosen
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