World’s best finger tutting performer P-Nut challenges new finger dance with newly launched BAND-AID Plus Comfort. Can Plus Comfort follow his fingers movement beyond human?!

世界最高峰の指技パフォーマー、P-nutsが、
新登場、付け心地ゼロのBAND-AID 快適プラスを巻いて、
新たなフィンガーダンスに挑戦!
果たして、快適プラスは彼の人間を超越した動きについていけるのか?

THE CREDITS:
Ad Agency: BBDO JAPAN, Tokyo
Executive Creative Director: Masaki Honda
Creative Director: Takenori Hashimoto
Creative Planner: Tatsuya Kawajiri
Art Director: Asuka Kondo
Producers: Kano Ishikawa, Shinji Kushiro
Production Manager: Misato Kumagai
Director: Eiji Tanigawa
Director of Photography/Cinematographer: Senzo Ueno
Gaffer: Masachio Nishida
Production Designer: AKI/CARNIVAL
Record Producer: Setsu Fukushima

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Nairobi, Kenya is one of the undisputed hubs of creativity on the African continent — and TED Fellows are at the center of the action. They’re building global technology companies like Ushahidi and BRCK, making genre-busting music that draws on wide-ranging cultural influences and working with marginalized communities in Kenya to make sure their voices are heard.

Meet Kenyan musician, DJ and TED Fellow “Blinky” Bill Sellanga in the latest installment of the Fellows in the Field video series. Explore Nairobi with Bill as he works on his new solo album in his studio, wanders the bustling streets in search of inspiration and DJs at The Alchemist, one of his favorite spots in the city.

“If you’re looking at Africa, you take a look at Nairobi,” Sellanga says. “We’re just discovering ourselves and figuring out how to express ourselves in a way that makes sense to us.”

Interested in becoming a TED Fellow yourself? The search is on for our next class. Learn more about becoming a TEDGlobal 2017 Fellow in Arusha, Tanzania. We encourage all talented innovators in their fields — science, art, technology, entrepreneurship, film and beyond — to apply to become a TED Fellow, especially those working across the African continent.

Apply now to become a TEDGlobal 2017 Fellow.

Brand Crisis Favors The Strong

Brand Crisis Favors The Strong

In his article “Will Customers Forgive Your Brand?” Mark Di Somma outlined ten situations where brands may need to ask forgiveness, from scandal to arrogance to corruption.

Sadly, these instances seem to happen with increasing frequency. Or is it that, thanks to social media and 24-hour news coverage, we’re simply more aware? Regardless, brands like people can be flawed in some way. Those flaws may be insufficient marketing, gross misjudgment of the marketplace, sloppy quality controls, or downright cheating.

How the brand-in-crisis handles itself will certainly have a bearing on the outcome. But don’t miss the greater benefit of an otherwise strong, well-regarded or well-known brand: brand resiliency – the ability to bounce back.

Wells Fargo is undergoing a scandal that’s unprecedented in U.S. banking history. Its corporate culture insisted that its branches be referred to as “stores” and that its employees must find “solutions” for their customers (regardless of their need) or risk termination. This bare-knuckles, hard sell atmosphere fostered the creation of bogus accounts to boost sales numbers for tellers and managers. According to Kevin Pham a former employee, they targeted the vulnerable; Mexican immigrants who speak little English. Older adults with memory problems. College students opening their first bank accounts. Small-business owners with several lines of credit.

As a result, over 5,000 of them were fired for it, not to mention the resignation of the CEO after a thrashing in front of a congressional committee. Humiliating? Disgusting? Embarrassing? Yes, but not terminal (as of today, anyway). The Wells Fargo brand has shown a surprising resiliency, even in an industry that asks us to trust them with our money. How can that be? I would argue that Wells Fargo has invested heavily in positive brand equity—even considered a “Great” company by Jim Collins in his book “Good to Great.” That investment has put resiliency in the bank.

The Trump brand could be compared to the classic Timex watch campaign pitched by the late, great John Cameron Swayze: “It takes a licking and keeps on ticking.” Indeed, during his run for the White House, even his most ardent supporters would concede his “lickings” have been largely self-inflicted — the latest disaster being the release of a “hot mic” recording of his comments about women. And at this writing, the outcome is as yet undecided; but the “let Trump be Trump” strategy has kept the Trump brand true to itself, if nothing else. Resilient? Undoubtedly. Why? Trump is a well-known brand with fame and star-quality created by TV. In today’s culture, that’s about all it takes.

If we thought the Exxon Valdez disaster in 1989 wasn’t bad enough, BP suffered the Deep Water Horizon spill in 2010 that killed 11 and fouled the Gulf of Mexico with the unrelenting discharge of an estimated 4.9 million barrels of crude. During the crisis, the British BP CEO attempted to downplay the situation and infamously lamented that he “wanted his life back” to the outrage of American consumers. Eventually, the spill was plugged, the clean up began, and the CEO was gone. And is BP still around? Yes. Even as a blockbuster feature film about the incident is in release – just in case anyone may have forgotten what a horrendous disaster it was.

Each of these examples (and there are many, many others) illustrates the resiliency of brands. Even “personal brands” such as Trump, Michael Phelps, or Tiger Woods are actually larger than the persons who bear the name. How is that possible? Because brands are formed in the minds of the consumer and become “owned” by them. And as long as the brand crisis is not too egregious, (ValuJet, Enron, Arthur Andersen) the brand can be resilient and survive. In most cases, the brand may never return to its former luster, but it will live to go to market another day, as in the case of Martha Stewart.

In the case of corporate brands, Wells Fargo would do well to learn from BP. While both brands have demonstrated resilience, only BP (at this point) has demonstrated an amount of corporate redemption by actively taking responsibility for the culture that nearly destroyed it, working to clean up the environment and changing its policies. And BP has wielded public relations and advertising with great effect to communicate its redemptive behavior and rehabilitate the brand. Wells Fargo must do the same if it is to be more than just a brand survivor.

In the early hours of the Volkswagen scandal Dorie Clark recommended three actions the brand needed to take to address its crisis:

1. Admit the severity of the problem
2. Show that it will never happen again
3. Move quickly and transparently

Her advice is timeless and will help the next brand in trouble.

As we observed earlier, the crisis situations for brands are happening with seemingly greater frequency. Brands that face the need to “ask forgiveness” are more resilient than brands or non-brands that are poorly marketed to start with. Resilience gives strong brands the opportunity to regroup and repair to survive another day.

The Blake Project Can Help: The Brand Positioning Workshop

Join us in Hollywood, California for Brand Leadership in the Age of Disruption, our 5th annual competitive-learning event designed around brand strategy.

Branding Strategy Insider is a service of The Blake Project: A strategic brand consultancy specializing in Brand Research, Brand Strategy, Brand Licensing and Brand Education

FREE Publications And Resources For Marketers

Visuals Editor

Title:  Visuals Editor
Department: Global Press Journal
Status: Full-time
Location:  San Francisco, CA
Compensation: DOE + Benefits package (health, vision, dental, 401k)
Start date: January 2, 2017

Please submit resume and cover letter to [email protected] by November 15th.

Why You Want This Job:

Because we’re changing the face of international journalism!

Global Press has a 10-year track record of producing exceptional journalism from the least-covered parts of the globe. Global Press aims to revolutionize the business of international journalism by creating multiple ethical, sustainable revenue streams, revitalizing core editorial processes to ensure accuracy and accountability and repairing the lack of gender and racial diversity that have plagued newsrooms since inception. Global Press is an employee-centered workplace that prioritizes employee wellness in a diverse, challenging, creative, humor-filled environment.

We are looking for an experienced, energetic, Visuals Editor who will work with Global Press journalists across the globe to create world-class journalism every day. The Visuals Editor works with a talented and dynamic group of global journalists everyday who submit hundreds of visuals each week. The Visuals Editor will lead the growing Visual Team at Global Press.

On a Typical Day at Global Press You Will:

  • Receive and organize dozens of photos and videos from reporters around the world
  • Effectively manage and meet multiple deadlines
  • Work with editors, reporters and visual content providers to ensure that visuals are of the necessary quantity and caliber to serve diverse content needs across digital and social channels
  • Read all Global Press stories to ensure visuals reflect the story angle
  • Select, edit, and tone visuals and to work effectively with story text, using keen judgement to ensure visuals enhance the audience’s experience
  • Collaborate with the Engagement Team to ensure visuals elevate stories, social postings and blogs to achieve maximum audience engagement
  • Manage our team members’ equipment inventory, questions, needs and maintenance requests
  • Work with editors and reporters to shoot supplementary visuals for behind-the-scenes and promotional materials
  • Manage all captions and text accompanying slideshows and stand-alone images and ensure that all captions are fully copy-edited by relevant staff and in place for publication
  • Coordinate with Global Press Institute training staff to identify training needs and opportunities for reporters
  • Be familiar with all upcoming stories/projects to give feedback and create necessary visuals assignments to maximize quality and news value
  • Work with syndication partners to identify visual content needs
  • Be familiar with Lightroom, Photo Mechanic, Premiere, iMovie, Word and other software used to create content
  • Work with IT team to research and identify best Digital Asset Management systems and workflows
  • Communicate with global team members clearly and effectively
  • Be inspired by the bravery and ingenuity of Global Press reporters
  • Work hard, laugh hard and make a significant contribution to global journalism
  • Be insanely curious and a life-long learner

Core Attributes:

Global Press is a diverse and thriving international media organization that seeks out team members who:

  • Are equally committed to journalistic tradition and journalistic innovation
  • Employ discipline, generosity and humor in their daily work
  • Believe in the power of high-quality information and human stories to change our world
  • Thrive in a collaborative environment where team members can be honest with one another and aim to be better today than they were yesterday

Qualifications:

The successful candidate will have a Bachelor’s degree in a related field and a minimum of 3 years of visual editing experience. Candidates should have prior international and management experience. Foreign language skills are a plus. Exceptional written and oral communication skills are a must.

About Global Press

Global Press exists to create a more just and informed world by employing local journalists to produce ethical, accurate news coverage from the world’s least-covered places.

Rejecting the mainstream model of foreign correspondence, which deploys elite outsiders on short-term assignments, Global Press trains and employs a diverse population of journalists in the developing media markets where they live to produce context-rich, nuanced news coverage that provides local and global audiences with high-quality, professional news that elevates awareness and creates actionable opportunities for citizens.

Comprised of three brands that form a holistic social enterprise, Global Press is an international media company dedicated to reinventing both the craft and business of global journalism. Global Press operates a training program, Global Press Institute, an award-winning news publication, Global Press Journal, and an innovative syndication division, Global Press News Service.

Global Press aims to produce news from more than 100 countries, becoming the world’s leading news source from the developing world.

 

The post Visuals Editor appeared first on Global Press Institute.

John Wikstrom expresses his love for the Pokémon franchise by directing this heartwarming spec spot, “Evolutions- Sun and Moon” in honor of Pokémon’s 20th anniversary. In it we see a boy as he evolves into a young man much like our beloved Pokemon.

We asked Wikstrom what his motivation was for creating the commercial: “Twenty years is a long time. I wanted to make something that spoke directly to the people who grew up with Pokémon, like myself. It’s both a love letter and passing salute to the franchise. I wanted to make something that not only felt true to Pokémon, but felt true to my experience of it.”

The ad, is spec work so Nintendo had nothing to do with it which is too bad because it’s the best we’ve seen for the franchise. Head on over to Wikstrom’s YouTube page to read all the wonderful comments to the ad, their absolutely loving it.

CREDITS:
Featuring Shamori Washington & Phillip Andre Botello
Directed by John Wikstrom
Cinematography by Idan Menin
Produced by Ian Coyne
1st AC – Melissa Sporn
Gaffer – Jacob Abrams
Grip – Aaron Pagniano, Tristan Moffat
Set Decorator – Kris Pistole
Music by Michael Ursu
Re-Recording Mixer – Nicole Pettigrew
Colorist – Dillon Novak
VFX Artist – Parker McCabe
Edited by John Wikstrom
Special Thanks: Michelle & Zac Pullam, Game Empire, Clairmont Camera

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As we approach the end of 2016 (yes, time flies!), I thought it would be fun and interesting to do a survey on the Great Brand of the Year.  I want to hear which brand you think deserves the top honor.  And if you vote, you’ll get entered to win an autographed copy of my book What Great Brands Do (scroll down for details.)  Of course this won’t be a scientific poll, but given that most of my readers are business leaders or thought leaders or both, I think we’ll get a good read on which brand deserves to be called the Great Brand of the Year.great-brand-of-the-year

In addition to your own subjective assessment of a brand’s leadership, innovation, and stewardship, you might consider the criteria that I used when qualifying the brands I profiled in my books, What Great Brands Do: The Seven Brand-Building Principles That Separate the Best from the Rest, and Extraordinary Experiences:  What Great Retail and Restaurant Brands Do.  That is:

  • Profitability — Great brands enjoy above-average profit margins within their categories or at least the ability to charge a price premium for their offering.
  • Strong relevance and differentiation —  Great brands are esteemed by customers for being compellingly resonant and meaningfully different.
  • High brand valuation — Great brands are valued more highly by financial analysts — reports like Interbrand’s Best Global Brands and Millward Brown’s Brand Z measure this dimension.
  • Fast rate of growth — Great brands don’t necessarily have to be big, but they usually have strong upward momentum.
  • Workplace culture — Great brands are loved by the people who work on them — they’re usually on Fortune magazine’s 100 Best Companies To Work For, Glassdoor’s Best Places to Work, and/or Great Place to Work lists.

Also some brands have done some pretty remarkable things this year including introducing breakthrough products, running memorable campaigns, and making bold corporate moves, so you’ll want to factor that into your vote too.

To start the voting off, I’ve provided a list of the 10 brands that I suspect may be at the top of most people’s lists but don’t limit yourself to these options — feel free to write in any brand that deserves to named Great Brand of the Year.  Please vote for one brand only and please only vote once.  Be sure to enter your email address if you want to be entered to win a copy of What Great Brands Do.  (Winner will be randomly selected from all voters.)  Voting closes on October 31, 2016.

If you don’t see the survey here, please go to:  http://freeonlinesurveys.com/s/R3gaI4De

Thanks!  And look for the results here the first week in November.

The post vote for the great brand of the year appeared first on Denise Lee Yohn.

Paul Pogba has always done things his own way since day one, a born Creator. From his childhood in France, to his return to Manchester United, he has made his own rules. Refusing to be anyone but himself and always bringing creativity and imagination to the game. Football needs creators. And Paul Pogba is the proof.

CREATIVE CREDITS:
Advertising Agency: 72andSunny, Los Angeles, USA
Chief Creative Officer: Glenn Cole
Executive Creative Director: Jason Norcross
Group Creative Director: Frank Hahn
Creative Director: Josh Fell, Chris Hutchinson
Senior Designer: Gerardo Ortiz
Writer: Ray Smiling
Chief Production Officer: Tom Dunlap
Group Production Director: Nicole Haase
Executive Film Producer: Jim Haight
Film Producer: Eric Rasco
Production Coordinator: Erika Ruiz
Group Brand Director: James Stephens
Brand Director: Audrey Huber
Brand Manager: Scott Swindler
Brand Coordinator: Jack Young
Group Strategy Director: Matt Johnson
Senior Strategist: Marc Pardy
Junior Strategist: Bogart Avila

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By Yasmina Zaidman, Director of Strategic Partnerships, Acumen Corporations are realizing that their own sustainability, growth and license to operate in new markets all require them to experiment with daring business models that are built on collaboration with various stakeholders, including global social enterprises. Beyond Dialogue: Building Sustainable and Inclusive Business Models in Partnership with […]

paula_johnson_cta

The TED community has been very busy over the past few weeks. Below, some newsy highlights.

Wellesley has a new president. Dr. Paula Johnson, a longtime champion of women’s health and health policy, is Wellesley College’s 14th president. The celebrations surrounding her inauguration focused on the theme of Intersections; in her inauguration address, she reflected on how she will incorporate the theme into her administration. “How do we unleash the riches embedded in crucial intersections—among people, among ideas, across communities and cultures, through time and space?” she asked.  (Watch Paula’s TED Talk)

The fight for gender balance in tech. Melinda Gates has her eyes set on a pervasive problem in tech: the underrepresentation of women. Working outside the Bill and Melinda Gates Foundation for this particular initiative, Melinda is building up a personal office that will dedicate resources and attention to the issue. She’ll begin by going into learning mode, up to two years of “learning, collecting information, talking to lots of experts, and looking at what research is out there,” she told Backchannel. As part of the interview, readers were asked to comment in response to the question, “How should Gates spend her money and her time?” Their comments were then assembled into an open letter. (Watch Melinda’s TED Talk)

How to separate fact from fiction. Our digital lives are a constant onslaught of information, but do you know how to distinguish between the reliable and the misleading? In A Field Guide to Lies, Daniel Levitin explains how faulty arguments and information permeate the sources that we rely on for information, everything from Wikipedia to news organizations to the government. The solution? Become more infoliterate, he says, and learn how to think more critically about the information that you receive rather than passively accepting it as true. (Watch Daniel’s TED Talk)

America’s favorite poet returns. Two-time US poet laureate Billy Collins released his twelfth collection of poetry on October 4. With close to 50 new poems, The Rain in Portugal looks at everything from beauty and death, to cats and dogs, with the poet’s usual wit and accessibility.  (Watch Billy’s TED Talk)

A tribute to his roots. John Legend helped pay for the renovation of a historic high school theater in Springfield, Ohio, where he performed as a child. “I knew how important that was for me when I was in high school and middle school and throughout my time in Springfield, and how important the arts were and performance spaces were to me,” John told the Springfield News-Sun. He joined the city on October 9 for the ribbon-cutting ceremony of what is now called the John Legend Theater. (Watch John’s TED Talk)

The intricate design of perfume bottles. While designer Thomas Heatherwick is known for large-scale projects like the UK pavilion at the Shanghai Expo in 2010 and the proposed Pier55 park in Manhattan, this time he’s dialed it down to the size of a perfume bottle. His intricate bottles, for French shoe designer Christian Louboutin, are beautiful pieces of twisted glass. The bottles were an expansion of Heatherwick’s interest in creating folded surfaces with different materials, seen in such work as Twisted Cabinet and Paternoster Vents, and they were excited to give it a try with twisted glass. (Watch Thomas’ TED Talk)

The new how-to. Babble co-founder Alisa Volkman is launching a new company called Knowsy. The company makes short how-to videos on everything from Microsoft Word shortcuts to table setting. The videos are short, visually appealing, and free. Rather than making money from advertises, the company may at some point charge a subscription fee for some of the videos, or sell bundles to corporate clients to help them teach specific skills to their employees, reports Recode. (Watch Alisa’s TED Talk)

Have a news item to share? Write us at [email protected] and you may see it included in this weekly round-up.

Red Robin Gourmet Burgers and Brews launches a national brand campaign that celebrates the burger experience. With the launch of the new campaign, Red Robin aims to position the burger as a sharing and bonding opportunity and something everyone can rally around. The campaign focuses on the joy of “burgering” and the concept that burgers are more than just something people eat, rather something people do, a verb and action. This bonding experience among friends has been a part of American food culture and is the focus of Red Robin’s latest brand campaign.

The marketing campaign, designed by Red Robin’s creative AOR, KBS, is titled, “Let’s Burger” and aims to set the brand apart from others in the industry. The integrated campaign will come to life through TV, digital video and social media, expanding appeal to burger lovers of all ages. In addition to showcasing Red Robin’s signature burgers, it will reinforce the restaurant as a fun environment welcoming to all guests.

“As the Gourmet Burger Authority, we are immersed in burger culture every day and we offer our guests a craveable menu featuring more than 24 burger variations,” said Jonathan Muhtar, senior vice president and chief marketing officer at Red Robin. “We are excited to debut our ‘Let’s Burger’ campaign and elevate Red Robin further as the Gourmet Burger Authority. The Red Robin experience goes far beyond the burger itself. It’s about inviting people to let go, lean in, and take their time enjoying the things that make Red Robin unique.”

“The campaign gives Red Robin an ownable voice that opens the door for conversation and participation — and changes the burger from something you eat, into something you do,” said KBS Creative Director/Copywriter Deb Maltzman. Angela Denise, KBS Creative Director/Art Director, added, “We want to surprise people with everything we put out there, and keep them wondering, ‘What’s Red Robin going to do next?'”

Creative Credits:
Ad Agency: KBS, New York, U.S.A

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